Γυναικείες παρουσίες/απουσίες στις Πρωτοπορίες
Maria Spiridopoulou
Female Presences-Absences in the Avant-garde
• COURSE OBJECTIVES
The course aims at giving the students an overview on the theme of women artists active in the context of the avant-garde art movements of Dadaism, Futurism, and Surrealism, in the fields of both performing and visual arts (stage clothes, photography, photo-collages, painting, sculpture, tapestry) and literature (poetry, fiction, theatre), shedding light to their multifaceted contribution to the art scene from the 1920s to the 1940s.
• LEARNING OUTCOMES
Upon successful completion of the course, students will:
– have learnt basic concepts of feminist critique and gender studies,
– be able to understand the theoretical discourse regarding the avant-garde movements and the woman’s position therein,
– be able to perceive the particularities of the female presence in the avant-garde movements and understand the women artists’ different position compared to that of their male colleagues,
– be able to research hidden facets of the avant-garde movements, closely related to the presence and/or absence of women artists and writers,
– have learnt about specific women artists and writers, their work and their relation with the avant-garde movements.
• PREREQUISITES
The oral presentation during classes will be taken under consideration for the final grades. The presence of the students is mandatory for the first 5 introductive classes.
ΛιγότεραFemale Presences-Absences in the Avant-garde
• COURSE OBJECTIVES
The course aims at giving the students an overview on the theme of women artists active in the context of the avant-garde art movements of Dadaism, Futurism, and Surrealism, in the fields of both performing and visual arts (stage clothes, photography, photo-collages, painting, sculpture, tapestry) and literature (poetry, fiction, theatre), shedding light to their multifaceted contribution to the art scene from the 1920s to the 1940s.
• LEARNING OUTCOMES
Upon successful completion of the course, students will:
– have learnt basic concepts of feminist critique and gender studies,
– be able to understand the theoretical discourse regarding the avant-garde movements and the woman’s position therein,
– be able to perceive the particularities of the female presence in the avant-garde movements and understand the women artists’ different position compared to that of their male colleagues,
– be able to research hidden facets of
Female Presences-Absences in the Avant-garde
• COURSE OBJECTIVES
The course aims at giving the students an overview on the theme of women artists active in the context of the avant-garde art movements of Dadaism, Futurism, and Surrealism, in the fields of both performing and visual arts (stage clothes, photography, photo-collages, painting, sculpture, tapestry) and literature (poetry, fiction, theatre), shedding light to their multifaceted contribution to the art scene from the 1920s to the 1940s.
• LEARNING OUTCOMES
Upon successful completion of the course, students will:
– have learnt basic concepts of feminist critique and gender studies,
– be able to understand the theoretical discourse regarding the avant-garde movements and the woman’s position therein,
– be able to perceive the particularities of the female presence in the avant-garde movements and understand the women artists’ different position compared to that of their male colleagues,
– be able to research hidden facets of
– Avant-garde movements and gender.
– The presence of women in Dadaism and Futurism.
– The presence of women in Surrealism: Women as muses and women as lovers. The mythical characters of the femme fatale, the femme-enfant and the femme-fleur.
– The exclusion of women artists and the restricted point of view of male surrealists.
– Feminine writing / Feminine iconography and the use of body as an alternative/radical means of expression.
– The connection between gender and the production and/or interpretation of artistic works.
– New forms of artistic/literary expression used by women.
– The significance of auto-representation and self-portraiture in artistic and literary production by women.
– The different artistic and literary genres practiced by women: autobiographical theatre, story of dreams (récits de rêves), short stories, tales, poetry, collage and self-portraits, ballet costumes, theatre, film, and ballet design and sets.
Ημερολόγιο
Ανακοινώσεις
- Τρίτη, 30 Ιανουαρίου 2018
- Τρίτη, 30 Ιανουαρίου 2018
- Τρίτη, 30 Ιανουαρίου 2018
- Κυριακή, 21 Ιανουαρίου 2018
- Σάββατο, 20 Ιανουαρίου 2018
